1Chapter 10
فصل (١٠)
Ghāyat al-Ḥakīm · draft
Spiritual preparations and compounds, foods, perfumes, ointments
Ritter pp. 242–264 · 70 passages · 15 withheld · 2 untranslated
1Chapter 10
فصل (١٠)
2And he mentioned in the book al-Isṭamākhīs, which he composed for Alexander, four beads in which he made use of [some] of their craft, the marvel-workings (nīranjāt), and of what the spiritual science requires. One is called the bead of al-Damāṭīs: he ordered him to make it the stone of his ring; then no one of the people, nor any spirit of the spirits, looks at him without submitting to him in obedience, humbling himself and accepting his command.
وذكر فى كتاب «الاسطماخيس» الذى وضعه للاسكندر اربع خرز صرّف فيها من صناعتهم النيرنجات وما يقتضيه العلم الروحانى واحدة تسمّى خرزة الدماطيس امره ان يجعلها فصًّا لخاتمه فلا ينظر اليه احد من الناس ولا روح من الارواح الا ذلّ له بالطاعة وخضع وقبل امره
The subject of 'he mentioned' is the author named at the close of the preceding chapter, Aristotle; 'him' in 'ordered him' is Alexander. Historical belief: an operation to act on other persons' wills without their consent.
3And if you seal a letter with it and it reaches a king or another, his shoulder-muscles tremble when he looks at it, and your command and your prohibition are carried out. And if you stamp with it [a letter] to a rebellious, disobedient mārid, he submits to you and is humbled.
وان ختمت به كتابًا ووصل الى ملك او غيره ارتعدت فرائصه حين ينظر اليه ونفذ امرك ونهيك فان طبعت به الى مارد عاص خضع لك وذلّ،
farā'iṣ: the muscles between the shoulder and the breast, said to quiver with fear. mārid: a rebellious jinn or demon. Historical belief: an operation to act on another person's will without their consent.
Withheld
And this is its making; and it is red. [Withheld: how to make the red Damatis bead, a ring-stone said to make people and spirits submit to its wearer and to make sealed letters feared.
This is the recipe for the bead itself. The text says you set it in a ring so that anyone who looks at it, person or spirit, obeys you, and that a letter sealed with it makes a king tremble. Making it means fusing metals and stones, then mixing in animal parts and working with heated arsenic and mercury pigments and a lead compound. The book itself calls one stage a poison, warns you not to touch or breathe it, and says it rots the flesh of anyone who drinks it, so it's left out because it's dangerous to make and handle.
Withheld
Withheld: the rest of a recipe for preparing a 'body' for the first bead, which includes a substance the text calls a poison.
This part of the chapter finishes a recipe for making the 'body' of the first bead. The mix calls for several named substances, and one of them is described as a poison. Because of that, we've left out the ingredients and the procedure under the project's harm policy, so you won't find them here.
6So this body, O King, is the aid for every marvel-working and talisman.
فهذا الجسم ايها الملك هو العون على كل نيرنج وطلسم،
jism ('body') is the compound whose preparation is withheld above.
7Then he mentioned a bead called the bead of al-Amāṭīs, which he made by marvel-working (nīranj) against the rain, the hail and the snow that befall him on his road with his army: he raises it on his palm to the sky, and it repels these things from him, and no harm from them befalls him, nor his companions, nor his beasts. And this bead is dust-coloured.
ثم ذكر خرزة تسمّى خرزة الاماطيس عملها بالنيرنج للمطر والبرد والثلج الذى يصيبه فى طريقه مع جنده يرفعها على كفّه للسماء فانها تدفع عنه هذه الامور ولا يصيبه ولا اصحابه ولا دوابّه منها مكروه، وهذه الخرزة غبراء
Withheld
Withheld: how to make the dust-coloured bead used in this chapter's operations.
This is the recipe for one of the coloured beads the chapter uses. It's a compound of several named substances, and on these pages every compound recipe was left out in full. Nothing about the doctrine around it is lost.
9And set it under the stars for three days with the speech that he mentioned, which is the names of the Perfect Nature; then put it away. And when hail, rain and snow befall you in a place and you wish it to lift, speak the words, then raise it in your right hand to the sky, and all of that will become still. And it is a complete marvel-working composed of powers and spiritual spirits.
ونجّمها ثلاثة ايام بالكلام الذى ذكر وهى اسماء الطباع التامّ ثم ارفعها فاذا اصابك البرد والمطر والثلج فى مكان فاردت ان يرتفع فتكلّم بالكلمات ثم ارفعها بيدك اليمنى للسماء فان جميع ذلك يسكن وهو نيرنج تامّ مركّب من قوى وارواح روحانية،
'Set it under the stars' renders najjimhā (lit. 'star it'), i.e. expose it to the stars. al-ṭibāʿ al-tāmm, 'the Perfect Nature', is taken as the name of the personal spiritual being; the names themselves are not given here.
10Then he mentioned a bead called al-Isṭamāṭīs, which he made for him by marvel-working, which he holds with him in battle or in standing firm against an enemy; then their swords, their spears and their arrows do not work upon him, nor upon anyone of his army. And whenever anyone of the enemy strikes a man of his army with a sword or a spear or an arrow, his sword is notched, his thrust rebounds and his shot goes astray. And this bead is black.
ثم ذكر خرزة تسمى الاسطماطيس صنعها بالنيرنج له يمسكها معه فى قتال او ثبات لعدوّ فلا تعمل سيوفهم ورماحهم وسهامهم فيه ولا فى احد من جنده وكلما ضرب احد من العدوّ رجلاً من جنده بسيف او رمح او سهم فلّ سيفه ونبَتْ طعنته وطاشت رميته، وهذه الخرزة سوداء
The name is read as printed with some uncertainty [reading uncertain: al-Isṭamāṭīs].
Withheld
The preparation of the black bead follows: ingredients and procedure withheld.
Withheld in full under the project's strict policy for these pages: a compound of named substances. It continues on the following page.
Withheld
Withheld: the last steps of making a bead that is supposed to keep iron, swords, spears and arrows from harming whoever carries it.
This is the end of a recipe that starts on the previous page. It finishes a metal bead, which is then left under the stars for a few days with a spoken formula and carried as a charm so weapons won't hurt you or the people with you. It's withheld because making it involves heating an arsenic compound, which gives off toxic fumes and is dangerous to prepare. The text itself later calls mixtures like this poisons.
13Then hold it with you, for iron, swords, lances and arrows will not act upon you, nor upon anyone of those who are with you, as long as that is with you.
ثم امسكه معك فان الحديد والسيوف والرماح والسهام لا تعمل فيك ولا فى احد ممن معك ما دام ذلك معك،
14Then he mentioned a bead called al-Ghaydamāṭīs, for binding the lusts of the soldiers and the people of the camp and keeping them from intercourse and debauchery; for debauchery in the camp and mingling with women is an ill omen whose evil spreads, and it becomes a cause of its enemy's victory, and in binding them there is firm resolve and great victory. And this bead is white,
ثم ذكر خرزة تسمّى الغيدماطيس لتقييد شهوات الجند واهل العسكر ومنعهم عن النكاح والفجور فان الفجور فى العسكر والالتباس بالنساء شؤم يعدى شرّه ويكون سببًا لظفر عدوّه وفى تقييدها حزم شديد وظفر كبير، وهذه الخرزة بيضاء
Historical belief: an operation to act on other people's will without their consent. Al-Ghaydamāṭīs is the name as printed; the Latin Picatrix has Handemotuz.
Withheld
Withheld: how to make the white bead called al-Ghidamatis, meant to keep an army's soldiers from lust and debauchery, by smelting metals with an arsenic compound.
This is the recipe for the bead itself: a small cast object, consecrated with the spoken words given earlier. It isn't given to anyone. You just carry it, and it's supposed to restrain the lust of your soldiers while you have it. It's left out because making it involves heating an arsenic compound, which gives off toxic fumes, and the book itself says a little later that mixtures like this are poisonous to touch or smell. The rite that follows, with the two copper figures, is translated in full.
16Then make two statues of copper in the form of a man and a woman, and place the bead in the [word uncertain: qism] of the statue of the man, and set the back of each one towards the other. Then take an iron nail and speak over it the words mentioned three times, then nail it into their breasts until it passes through both of them together. Then place these two statues in a small chest of iron and speak over it the first words for a day and a night, then carry it with you; for by that you bind the lusts of your soldiers from debauchery and corruption as long as that is with you.
ثم اصنع تمثالين من نحاس على صورة رجل وامرأة وتضع الخرزة فى قسم تمثال الرجل وتجعل ظهر كل واحد الى الآخر ثم خذ مسمارًا حديدًا وتكلّم عليه بالكلام المذكور ثلاث مرّات ثم تسمره فى صدرهما حتى ينفذ ذلك فيهما جميعًا ثم تضع هذين التمثالين فى تابوت من حديد صغير وتتكلم عليه بالكلام الاول يومًا وليلةً ثم ترفعه معك فانك تقيّد بذلك شهوات جندك عن الفجور والفساد ما دام ذلك معك،
Historical belief: an operation to act on other people's will without their consent. Qism ('portion, part') is unclear here as the place where the bead is set.
17And it is mentioned in the "Book of al-Isṭāṭīs" that a person ought not to be careless with the mixtures of these marvel-workings (nīranjāt), for they are aggressive poisons, which the one who handles them cannot touch with his hand nor smell unless he guards himself against them.
وذكر فى «كتاب الاسطاطيس» ان اخلاط هذه النيرنجات لا ينبغى للانسان ان يتسامح فيها فانها سموم عادية لا يستطيع محاولها ان يمسّها بيده ولا ان يشمّها الا ان يحترس منها
'Ādiya is taken as 'aggressive, injurious' (from 'adā, to attack).
Withheld
Withheld: a protective preparation, put in the nose, ears and mouth, meant to shield the person handling the poisons just described.
This is protection for the practitioner, not an attack on anyone: something you put in your own nose, ears and mouth before working with the poisons on the previous pages. It's left out because it rests on a toxic plant that's also a narcotic. The passage runs onto the next page and is withheld there too.
Not translated
Not translated: two pages of the marvel-workings, among the compounded preparations that the surrounding passages here are made of. Ritter pp. 247–248.
These pages fall inside the run of compounded marvel-workings (nīranjāt) that this chapter is made of, between passages that are translated on either side. The entries around them are preparations that name substances and weights, and most of that kind is withheld in this translation anyway. No one has translated these pages: the translation model's safety screen declined them twice, the second time under an instruction to withhold every preparation in full. Nothing was routed around it. Left for a human translator.
20Hānīṭūs wa-Amīrās. Then wrap that statue in a rag of white cloth and a rag of white silk, and tie it with a silk thread below its breast; then gather the two ends of the thread and tie seven knots upon it, saying over each knot of them: Arghūnās Hādmiyūs Fīnūrās Armīthās. And when you have finished that, put it in a small new jug sealed with clay; then dig a pit in the house of the one for whom it is worked, wherever you wish in it, and bury it in it upright, its head uppermost; then press it down with earth.
هانيطوس واميراس ثم تلفّ ذلك التمثال فى خرقة من ثوب ابيض وخرقة ابريسم ابيض وتشدّه بخيط ابريسم اسفل صدره ثم تجمع طرفى الخيط وتعقد عليه سبع عقد وانت تقول على كل عقدة منها ارغوناس هادميوس فينوراس ارميثاس واذا فرغت من ذلك فضعه فى كوز صغير جديد مطيّن ثم احفر حفرة فى دار المعمول له حيث شئت منها وادفنه فيها مستويًا رأسه اعلاه ثم اكبسه بالتراب
Historical belief: an operation to act on another person without their consent (to compel love). The figure is buried, not given to anyone. The words of invocation are transliterated as printed; their vocalisation is uncertain.
21Then take of frankincense and kayya [word uncertain], of each one of them one mithqāl, and put them on the fire, saying while you fumigate: Bahīmrās Ūmarlīs Qadāmīdūs Fīnūrs, I have stirred up the spiritual power (rūḥāniyya) of the heart of So-and-so (f.) with love toward So-and-so, and I have drawn the spiritual power of her heart by the power of these spiritual spirits, and by Bahāṭūrs Milyūrās Ūliyūs Saṭīnūs.
ثم تأخذ من الكندر والكية من كل واحد منهما مثقالاً فضعهما على النار وانت تقول حين تدخّن بهيمراس اومرليس قداميدوس فينورس هيّجت روحانية قلب فلانة بالحبّ الى فلان وجلبت روحانية قلبها بقوة هذه الارواح الروحانية وبهاطورس مليوراس اوليوس سطينوس
al-kayya: an aromatic of uncertain identity, burnt together with frankincense (al-kundur). hayyajtu and jalabtu read as first person. A fumigation the operator burns; historical belief only. Historical belief: an operation to act on another person's affections without their consent.
22And when you have done that, go away; for that woman for whom this marvel-working was made, the spiritual power of love is stirred up in her, and she finds no rest, and she is kept from sleep and waking, standing and sitting, until she submits to that man, hearing and obedient, possessing nothing of herself. The spiritual power of the marvel-working draws her and brings her to the place in which the marvel-working is buried, whether the woman knows of that place or does not know.
فاذا فعلت ذلك فانصرف فان تلك المرأة التى صنع لها هذا النيرنج يهتاج بها روحانية الحبّ ولا يستقرّ قرارها وتكون ممنوعة النوم واليقظة والقيام والقعود حتى تنقاد لذلك الرجل سامعة مطيعة لا تملك من نفسها شيئًا تجذبها روحانية النيرنج فتجلبها الى المكان الذى فيه النيرنج مدفونًا علمت بذلك المكان المرأة او لم تعلم
Historical belief: an operation to act on another person's will without their consent.
23A second marvel-working, in food or in drink
نيرنج ثانٍ فى طعام او فى شراب
Withheld
Withheld: a love charm mixed into a woman's food or drink to make her restless and drawn, obedient, to the man, followed by a fumigation and invocation.
This is the chapter's second love charm. It's a mixture made mostly from animal parts, perfumes and blood, which is stirred into ordinary food or drink and served to the woman. Then comes a fumigation with a spoken invocation, meant to leave her sleepless and unsettled until she comes to him and does what he says. It's left out because the whole point is to feed it to her without her knowing, and the passage runs from here through the end of p. 250 and onto the next page.
Not translated
Not translated: two more pages in the same run of compounded marvel-workings. Ritter pp. 251–252.
Same material as the gap at pp. 247–248 and in the same run of recipes. No one has translated these pages: the translation model's safety screen declined them twice, the second time under an instruction to withhold every preparation in full. Nothing was routed around it. Left for a human translator.
26of each one, a mithqāl; and the equal of all of it [in weight] of melted ewe's tail-fat. You melt the tail-fat in a mus'aṭ and throw the mentioned ingredients onto it. When they have blended and mixed, you grind, of camphor, the weight of half a dāniq; and of white sandalwood and Indian aloeswood that is not muṭarrā, of each one two dāniqs; and of ambergris the weight of a dāniq; and of musk half a dāniq. Throw all of that onto the mixture so that it mixes with it.
واحد مثقالاً ومثل الجميع الية نعجة مذابة تذيب الالية فى مسعط وتطرح عليها الاخلاط المذكورة فاذا امتزجت واختلطت سحقت من الكافور وزن نصف دانق ومن الصندل الابيض والعود الهندى الغير مطرّى من كل واحد دانقين ومن العنبر وزن دانق ومن المسك نصف دانق واطرح ذلك كله على الخلط حتى يختلط به
The mixture is burned by the operator as a fumigation (see below), so it is translated in full. Historical belief: an operation to act on another person without their consent. A mus'aṭ is a small vessel with a spout. Muṭarrā aloeswood is aloeswood treated or compounded with other perfumes; the text specifies untreated wood.
27When it has mixed, divide it into seven parts. Take seven censers, put embers in them and kindle it; then set these censers before you in a row, and put on each censer one part of that mixture which you divided. When you have put them all on and they have given off smoke,
فاذا اختلط فجزّئه على سبعة اجزاء وخذ سبع مجامر وضع فيها جمرًا وقدْه ثم ضع هذه المجامر بين يديك مصفوفة وضع على كل مجمرة جزءًا من ذلك الخلط الذى جزّأت فاذا وضعتها كلها ودخنت
28then say: "A'yūras Yāṭandās Ahyūlas Haryūlās, I have stirred up the heart of So-and-so [fem.] towards So-and-so, and I have moved the spiritual power (rūḥāniyya) of her heart with love, and I have denied her sleep and rest, waking, standing and sitting, until she comes to him hearing and obeying; and I have drawn her and brought her by the power of these spiritual spirits, al-Bawāris Hayāqūs and Būdīs Ṭāwādūs." When you have done that, go away certain that your work has taken effect, and that the one on whom it is worked is stirred up with love, and she will not rest in her place until she comes to that man.
فقل اعيورس ياطنداس اهيولس هريولاس هيّجت قلب فلانة الى فلان وحرّكت روحانية قلبها بالحبّ ومنعتها النوم والقرار واليقظة والقيام والقعود حتى تأتى اليه سامعةً مطيعةً وجذبتها وجلبتها بقوة هذه الارواح الروحانية البواريس هياقوس وبوديس طاوادوس فاذا فعلت ذلك فانصرف مستيقنًا ان عملك قد نفذ وان ذلك المعمول عليه يهتاج بالحبّ ولا يستقرّ قرارها حتى تأتى الى ذلك الرجل،
The invocation names are transliterated as printed; their vocalisation is uncertain. Historical belief: an operation to act on another person without their consent. The text passes from masculine al-ma'mūl 'alayhi to feminine qarārahā within the sentence; rendered as printed.
29The fourth kind of them: in an oil, or sweet basil, or perfume, or an apple, or whatever is of this purpose.
الضرب الرابع منها فى دهن او ريحان او طيب او تفّاحة او ما كان من هذا الغرض،
Withheld
Withheld: a love oil, to be rubbed on a chosen woman or hidden in a perfume she smells, meant to make her restless with desire until she comes to the man.
This is the fourth kind of love charm in the chapter, and this one works through an oil or a scent. It's made from animal parts and ordinary perfumes, then 'charged' with a fumigation and a spoken call to the spirits. Then it's put on the woman's skin or slipped into a perfume she'll smell, so that she loses her sleep and her calm until she comes to the man. Nothing in it is a poison or a drug, but the whole point is to get it onto someone without her knowing and bend her will, so it's left out.
31then take of frankincense and kiyya, of each of them a mithqāl, and fumigate with it beneath it, and say while you are fumigating: "Yāṭīrūs Fīhārīs Fīṭūlīs Andrāwus, I have stirred up So-and-so [fem.] towards So-and-so, and I have moved the spiritual power of her heart towards him with love, and I have denied her sleep and waking, standing and sitting, and I have drawn her and brought her to him by the power of these spiritual spirits, and by Baqīṭārūs 'Ādīlās Manhūrīs Manqūrās."
فخذ من الكندر والكية من كل واحد منهما مثقالاً ودخّن به تحته وقل وانت تدخّن ياطيروس فيهاريس فيطوليس اندراوس هيّجت فلانة الى فلان وحرّكت روحانية قلبها اليه بالحبّ ومنعت عنها النوم واليقظة والقيام والقعود وجذبتها وجلبتها اليه بقوة هذه الارواح الروحانية وبقيطاروس عاديلاس منهوريس منقوراس
A fumigation the operator burns beneath the vessel of the withheld preparation. Kiyya is an aromatic of uncertain identity [word uncertain]. Invocation names transliterated as printed. Historical belief: an operation to act on another person without their consent.
Withheld
Withheld: how the preparation is put on another person, by anointing them or in a scent they breathe, and what it's supposed to do.
This is the delivery step of the operation: getting the preparation onto someone, or under their nose, so it works on them. It's left out because they're meant not to know it's happening.
33And if it is not possible for you to perfume him with it, then make his likeness of wax, and order him to hold it in his hand, and let him fumigate with frankincense and kiyya for three days at the time of the rising of the Sun, and let him speak the words; and you fumigate and perfume yourself with it. For by it the spiritual power of love is moved in him, and his soul is stirred up towards him.
فان لم يمكنك ان تطيّبه به فاصنع تمثاله من شمع ومُره ان يمسكه بيده وليدخّن بالكندر والكية ثلاثة ايام فى وقت طلوع الشمس وليتكلم بالكلام وتدخّن وتطيّب انت به فانه يتحرك به روحانية الحبّ وتهيج نفسه اليه،
[Pronoun ambiguous: who is ordered to hold the image is not named; it may be the person for whom the work is done.] The final 'towards him' is likewise ambiguous as to its referent. Historical belief: an operation to act on another person without their consent.
Withheld
Withheld: a variant where the preparation is smeared on sweet basil or an apple for someone else to smell.
Same operation, a different way in: the preparation goes on a sprig of basil or an apple that's handed to someone to smell. It's left out because the person smelling it isn't meant to know.
Withheld
Withheld: the end of a love charm, a scented fumigation and invocation meant to be secretly smelled by a chosen person so they lose self-control and come obediently.
This finishes a recipe from the 'Da'itus' spell-charms, said to be for joining men and women. You perfume something with ordinary incense, speak a spoken formula, and then get the target to breathe the scent so they can't sleep or rest and come to the maker 'to fulfil his need'. A backup version works on an image of them instead. The incense itself is harmless; it's left out because the whole point is to use it on someone without their knowledge to override their will, sexually included.
36So these are the marvel-workings (nīranjāt) of the spirits, which are called Dā'īṭūs, which «Kīnās» made for union between men and women.
فهذه نيرنجات الارواح التى تسمّى داعيطوس التى صنعها «كيناس» للوصلة بين الرجال والنساء ،
The relative 'which are called Dā'īṭūs' may refer either to the marvel-workings or to the spirits; the Arabic allows both.
37Description of a marvel-working called Bāghīs, used for turning the hearts of kings toward the subjects, and their love for them, and their inclining [to them] with kindness and gentleness.
صفة نيرنج يسمّى باغيس يستعمل فى عطف قلوب الملوك على الرعية وحبّهم لهم وميلهم بالرفق واللين
Historical belief: an operation to act on another person's will without their consent.
38And its working is that you take wax that has not been used for anything, and make from it a hollow figure in the name of the king whom you intend. Then you take of the brain of a female gazelle the weight of a dāniq, and of the brain of a hare the weight of two dāniqs, and of human blood the weight of a mithqāl, and you gather all of that in a small vessel (mus'aṭ), and throw onto the mixture the weight of half a mithqāl of ground camphor, and the weight of two dāniqs of ambergris, and half a dāniq of musk. You melt that and mix it until it blends. When it has blended through the melting, you pierce the head of the figure and pour it into it, and leave it until it cools. When it has cooled, you stick a piece of wax over that hole. Then you take of human blood four mithqāls, and of the blood of a white cock the weight of two mithqāls, and of the brain of a horse the weight of two mithqāls, and of musk and camphor, of each one the weight of a dāniq, and of the melted fat of a ewe's tail the weight of a mithqāl. You gather all of that in a small vessel and melt it until it mixes. When it has mixed, you pierce its collarbone and pour it into it; then you leave it until it cools. When it has cooled, you stick a piece of wax over it. Then you take a nail of silver, and let it be thin [and] not used for anything, and drive it into its chest, a driving that does not pass through, while you say at the driving: Aqriyūs Ghaydāyūs Yāhīlās Yahīdūs. Then you put the figure in a new jug sealed with clay. When you have finished with that, take of frankincense and al-kayya [word uncertain], both ground, of each one half a mithqāl, and of the eye of a white cock the weight of a mithqāl; you gather all of that. Then you take the figure, the fumigation and a censer with fire in it, and go to the top of a mountain overlooking the land, and dig in it a hole of its size, and bury it in it upright, its head upward. Then you put on the head of the jug a stone or a baked brick, and return over it
وعمله ان تأخذ شمعًا لم يستعمل فى شىء فتصنع منه تمثالاً اجوف باسم الملك الذى تريده ثم تأخذ من دماغ الظبية وزن دانق ومن دماغ الارنب وزن دانقين ومن دم الانسان وزن مثقال وتجمع ذلك كله فى مسعط وتطرح على الخلط وزن نصف مثقال كافور مسحوق ووزن دانقين عنبر ونصف دانق مسك تذيب ذلك وتخلطه حتى يمتزج فاذا امتزج بالذوب ثقبت رأس التمثال وصببته فيه وتركته حتى يبرد فاذا برد لصّقت قطعة شمع على ذلك الثقب ثم تأخذ من دم الانسان اربعة مثاقيل ومن دم الديك الابيض وزن مثقالين ومن دماغ الفرس وزن مثقالين ومن المسك والكافور من كل واحد زنة دانق ومن الية النعجة المذابة وزن مثقال تجمع ذلك كله فى مسعط وتذيبه حتى يختلط فاذا اختلط ثقبت ترقوته وصببته فيها ثم تدعه حتى يبرد فاذا برد لصّقت عليه قطعة شمع ثم تأخذ مسمارًا من فضّة ويكون رقيقًا لم يستعمل فى شىء فتغرزه فى صدره غرزًا غير نافذ وانت تقول عند الغرز اقريوس غيدايوس ياهيلاس يهيدوس ثم تضع التمثال فى كوز جديد مطيّن فاذا فرغت من ذلك فخذ من الكندر والكية مسحوقين من كل واحد نصف مثقال ومن حدقة الديك الابيض زنة مثقال تجمع ذلك كله ثم تأخذ التمثال والدخنة ومجمرة فيها نار واذهب الى سطح جبل مطلّ على البلاد واحفر فيه حفرة على قدره وادفنه فيها مستويًا رأسه الى فوق ثم تضع على رأس الكوز حجرًا او آجرة وتردّ عليه
This is a historical magical operation, recorded for its place in the history of image magic, and not one to try. Nothing in it is given to anyone: the compounds go into a wax figure that is then buried. The voces magicae are transliterated as they stand. The word read al-kayya, a fumigation ingredient paired with frankincense, is uncertain. Mus'aṭ is properly a vessel for nasal drops; here it seems to mean a small pot or ladle for melting. Historical belief: an operation to act on a ruler's disposition without his knowledge.
39the earth until it covers it. Then throw the fumigation on the fire and say, while it gives off smoke: Akrārūs Mandūrās Fīlāhūs Warmālīs, I have turned the heart of So-and-so, by his name, with love, affection and kindness towards So-and-so, by the power of these spiritual spirits, and by Bandūrās [reading uncertain: possibly 'and by Ndūrās'] Aynamūs Kafīnās Mādlūs. When you have done that, depart, you being firmly in command of that, certain of his turning [towards him], his kindness, his drawing [him] near, his acceptance, and the making fair of your deeds in his eye.
التراب حتى يستره ثم اطرح الدخنة على النار وقل حين تدخّن اكراروس مندوراس فيلاهوس ورماليس عطفت قلب فلان باسمه بالمحبة والمودة والرأفة على فلان بقوة هذه الارواح الروحانية وبندوراس اينموس كفيناس مادلوس فاذا فعلت ذلك فانصرف وانت متمكن من ذلك مستيقن بعطفه ورأفته وتقريبه وقبوله وتحسن افعالك فى عينه،
Historical belief: an operation to act on another person's will without their consent. The names are transliterated as printed; their vocalisation is uncertain. The fumigation is burned by the operator.
40The making of another marvel-working (nīranj), the reverse of that
صنعة نيرنج آخر فى عكس ذلك
41It is that you take some wax that has not been used and make from it a hollow figure. Then take the weight of one mithqāl of the gall of a black cat, half a mithqāl of the gall of a black dog, one mithqāl of the brain of a black donkey, the weight of two dāniqs of aloes, the weight of one dāniq of black pepper and the weight of one dāniq of myrrh. You grind the aloes and the pepper, put the gall and the brain in a mus'aṭ, throw on it this which you have ground, and leave it until it melts and mixes, and that over a gentle fire. When it has melted and blended, you pierce the head of the figure, pour it into it and leave it until it cools. When it has cooled, you stick a piece of wax over it.
وهو ان تأخذ من الشمع الذى لم يستعمل فتصنع منه تمثالاً اجوف ثم تأخذ وزن مثقال مرارة سنور اسود ونصف مثقال مرارة كلب اسود ومثقالاً دماغ حمار اسود ووزن دانقين صبرًا ووزن دانق فلفلاً اسود ووزن دانق مرًّا تسحق الصبر والفلفل وتجعل المرارة والدماغ فى مسعط وتطرح عليه هذا الذى سحقت واتركه حتى يذوب ويختلط وذلك بنار ليّنة فاذا ذاب وامتزج ثقبت رأس التمثال وصببته فيه وتركته حتى يبرد فاذا برد الصقت عليه قطعة شمع
Historical belief: an operation to act on another person without their consent; the substances are put into a wax figure, not given to anyone. Mus'aṭ, properly a vessel for pouring medicine into the nose, here a small vessel for melting.
42Then take the weight of half a mithqāl of the gall of a black kite, the weight of half a mithqāl of the gall of a black crow, the weight of one mithqāl of the brain of a black bat, one dāniq of aloes, the weight of one dāniq of myrrh and the weight of four dāniqs of myrtle seed. You mix all of that with the galls and the brain in a mus'aṭ and put it on embers until it melts. When it has melted, pierce its collarbone and pour it into it until it reaches its hollow, and leave it until it cools. When it has cooled, stick a piece of wax over it. Then take an iron nail and drive it through its chest, and say while you drive it: Kardīlās Dīqāyūs Bāhūlīs Barʿūnās.
ثم تأخذ وزن نصف مثقال مرارة حدأة سوداء ووزن نصف مثقال مرارة غراب اسود ووزن مثقال دماغ خفّاش اسود ودانق صبرًا ووزن دانق مرًّا ووزن اربعة دوانق حبّ آس تخلط ذلك كله مع المرارات والدماغ فى مسعط وصيّره على جمر حتى يذوب فاذا ذاب فاثقب ترقوته وصبّه فيه حتى يصير الى جوفه واتركه حتى يبرد فاذا برد فالصق عليه قطعة شمع ثم تأخذ مسمارًا حديدًا فتنفذه فى صدره وقل حين تنفذه كرديلاس ديقايوس باهوليس برعوناس
Historical belief: an operation to act on another person without their consent; a symbolic operation on a wax figure. Names transliterated as printed.
43Then put it in a new jug, having prepared a fumigation of the gall of a black cat and the gizzard of a black crow, one mithqāl of each, and the cloven hoof of a black goat and the hoof of an unruly horse, two mithqāls of each. You crush the hoofs and cloven hoofs and put it together with the ingredients and place it on a fire of embers until it gives off smoke, while you say, as it smokes: Māṭīrās Ghīdūrīs Māmūlās Farhīnūs, I have set the spiritual power (rūḥāniyya) of the heart of So-and-so the king over So-and-so (and name whomever you wish, few or many) that he may inflict on them displeasure, torment, anger and kinds of vengeance, a complete setting-over; and I have stirred up his spiritual power against them by the power of these spiritual spirits, and by Ārmūlīs [reading uncertain: or Bārmūlīs] Bāsrās Fīdūrās Bāhīmūs. When you have done that, depart, certain of the taking effect of what you have done.
ثم تضعه فى كوز جديد وقد اتخذت دخنة من مرارة سنور اسود وقانصة غراب اسود من كل واحد مثقالاً وظلف ماعز اسود وحافر فرس جموح من كل واحد مثقالين ترضّ الحوافر والاظلاف وتجمعه مع الاخلاط وتضعه على نار جمر حتى يدخن وانت تقول حين تدخّن ماطيراس غيدوريس مامولاس فرهينوس سلّطت روحانية قلب فلان الملك على فلان واذكرْ من شئت قلّوا او كثروا ليسومهم بالسخط والعذاب والغضب وانواع الانتقام تسليطًا تامًّا وهيّجت روحانيته عليهم بقوة هذه الارواح الروحانية وبارموليس باسراس فيدوراس باهيموس فاذا فعلت ذلك فانصرف مستيقنًا بالنفاذ فيما فعلت،
Historical belief: an operation to act on another person's will (turning a king against others) without their consent. The fumigation is burned by the operator. Names transliterated as printed.
44The description of the marvel-working which is called Barʿās, which he [pronoun ambiguous: perhaps Barʿās] made for kings and for turning them towards women with lasting love
صفة النيرنج الذى يدعى برعاس الذى صنعه للملوك وتعطّفهم على النساء بالحبّ الدائم،
45Its operation is that you take wax that has not been used and make from it a hollowed figure in the name of the king whom you want, and a second figure, hollow likewise, in the name of the woman towards whom you want him turned. Then take the figure of the king, place it on your palm and pierce its head; and take the weight of one mithqāl of melted ewe's tail-fat, the weight of one mithqāl of camphor and the weight of one dāniq of musk. You put all of that together in a mus'aṭ, and melt it over a gentle fire. When it has melted, you pierce its head down to its chest and pour it into it, and you leave it until it cools, and stick a piece of wax over it. Then you take of human blood the weight of two mithqāls, and of the blood of a female gazelle and of the melted fat-tail of a ewe, of each one two mithqāls, and of camphor one mithqāl, and of ambergris half a mithqāl, and half a mithqāl of musk, and one mithqāl of ṭabarzad sugar, and the weight of two mithqāls of the brain of a white donkey.
عمله ان تأخذ شمعًا لم يستعمل فتصنع منه تمثالاً مجوّفًا باسم الملك الذى تريده وتمثالاً ثانيًا اجوف كذلك باسم المرأة التى تريد تعطّفه لها ثم تأخذ تمثال الملك فتضعه على كفّك وتثقب رأسه وتأخذ وزن مثقال من الية نعجة مذابة ووزن مثقال كافورًا ووزن دانق مسكًا تجمع ذلك كله فى مسعط وأذبه بنار ليّنة فاذا ذاب ثقبت رأسه الى صدره وصببته فيه وتركته حتى يبرد والصقت عليه قطعة شمع ثم تأخذ من دم الانسان زنة مثقالين ومن دم الظبية والية النعجة المذابة من كل واحد مثقالين ومن الكافور مثقالاً ومن العنبر نصف مثقال ونصف مثقال مسكًا ومثقالاً سكر طبرزد ووزن مثقالين دماغ حمار ابيض
Historical belief: an operation to act on another person's will without their consent; the substances are put into wax figures, not given to anyone. Historical belief: an operation to act on another person's will (to make a king love a woman) without their consent. The substances are poured into wax figures, not given to anyone. Ṭabarzad is a hard white crystallised sugar.
46You pound the camphor and the sugar together, and pound the musk and the ambergris, and throw the sugar and the camphor onto it; then you combine them with the brain and the blood in a mus'uṭ over a fire of embers until it melts. When it has melted, pierce its collarbone and pour it into its hollow, and leave it until it cools. When it has cooled, stick a piece of wax over it; then set it before you until you have finished with the other figure.
تسحق الكافور والسكر جميعًا وتسحق المسك والعنبر وتطرح السكر والكافور عليه ثم تجمعها مع الدماغ والدم فى مسعط على نار جمر حتى يذوب فاذا ذاب فاثقب ترقوته وصبّه فى جوفه واتركه حتى يبرد فاذا برد فألصق عليه قطعة شمع ثم ضعه بين يديك حتى تفرغ من التمثال الآخر
mus'uṭ: properly a vessel for administering drops into the nose; here a small pouring vessel. 'Its collarbone', 'its hollow': those of the hollow wax figure.
47Then take the other, put it on your palm and pierce its head, and take the weight of one mithqāl of the melted fat-tail of a ewe, and half a mithqāl of camphor, and half a mithqāl of ṭabarzad sugar, pounded; you combine them with the fat-tail in a mus'uṭ over embers until it melts. When it has melted, you pour it into its head, and leave it until it cools, and stick a piece of wax over it.
ثم خذ الآخر فضعه على كفّك واثقب رأسه وخذ وزن مثقال من الية نعجة مذابة ونصف مثقال كافورًا ونصف مثقال سكر طبرزد مسحوقًا تجمعها مع الالية فى مسعط على جمر حتى يذوب فاذا ذاب صببته فى رأسه وتركته حتى يبرد وألصقت عليه قطعة شمع
48Then you take one mithqāl of human blood, and of the blood of a female gazelle one mithqāl, and half a mithqāl of pounded camphor, and half a mithqāl of ṭabarzad sugar, and the weight of two dāniqs of ambergris, and the weight of two dāniqs of musk, and the weight of one mithqāl of the brain of a white domestic donkey. All of that is combined in a mus'uṭ and set on a fire of embers until it melts. When it has melted, pierce its collarbone and pour it into it until it reaches its hollow; then leave it to cool. When it has cooled, you stick a piece of wax over it.
ثم تأخذ مثقالاً من دم الانسان ومن دم الظبية مثقالاً ونصف مثقال كافورًا مسحوقًا ونصف مثقال سكر طبرزد ووزن دانقين عنبرًا ووزن دانقين مسكًا ووزن مثقال دماغ حمار اهلى ابيض يجمع ذلك كله فى مسعط ويوضع على نار جمر حتى يذوب فاذا ذاب فاثقب ترقوته وصبّه فيه حتى يصير الى جوفه ثم اتركه يبرد فاذا برد ألصقت عليه قطعة شمع
49Then you take the weight of two dāniqs of camphor, and the weight of two dāniqs of sugar, and the weight of two dāniqs of ambergris, and the weight of two dāniqs of the brain of a white cock, and the weight of one mithqāl of the melted fat-tail of a ewe. All of that is pounded and put in a mus'uṭ over a gentle fire until it melts. When it has melted, leave it to cool and set; then you take it and soften it between your palms, then draw it out a little, like wicks.
ثم تأخذ وزن دانقين كافورًا ووزن دانقين سكرًا ووزن دانقين عنبرًا ووزن دانقين دماغ ديك ابيض ووزن مثقال من الية نعجة مذابة يسحق ذلك جميعًا ويوضع فى مسعط على نار ليّنة حتى يذوب فاذا ذاب فاتركه يبرد وينعقد ثم تأخذه وتليّنه بين راحتيك ثم تطوّله قليلًا شبه الفتائل
50Then you take the figure of that king and the second figure and set them embracing, the king's hand on the body of the other figure; then you bind them together with those wicks, above, in the middle and below. Then you take a nail of silver and drive it through from the back of the king's figure to the back of the other figure, while you say: Bahāhiyūs Bāliyās Ūdriyās 'Armūlīs.
ثم تأخذ تمثال ذلك الملك والتمثال الثانى وتضعهما متعانقين يد الملك على جسم التمثال الآخر ثم تضمّهما بتلك الفتائل اعلى ووسط واسفل ثم تأخذ مسمارًا فضة وتنفذه من ظهر تمثال الملك الى ظهر التمثال الآخر وانت تقول بهاهيوس بالياس اودرياس عرموليس
The spoken names are transliterated as printed.
51Then wrap them both together in a piece of white cotton, and put them in a new piece of white silk; then bind it with a thread of white silk. Then you take the two ends of the thread and tie seven knots in it over it, and you say as you tie them: Badīlāhūs Bāhdāyis Ūbālūs Manāṭīs Ṭūrānūs Bāhījās Baṭūrās.
ثم تلفّهما جميعًا فى قطعة من قطن ابيض وضعهما فى خرقة ابريسم ابيض جديد ثم شدّه بخيط ابريسم ابيض ثم تأخذ طرفى الخيط فتعقده عليه سبع عقد وتقول عند عقدها بديلاهوس باهدايس اوبالوس مناطيس طورانوس باهيجاس بطوراس
52Then you put that in a small new jug, sealed with fresh clay, and carry it to the foot of a mountain, and dig for it there, and bury it there upright, its head toward the top of the pit; then put a stone on its head; then you heap the earth over it.
ثم تضع ذلك فى كوز جديد صغير مطيّن بطين جديد وتحمله الى سفح جبل وتحفر له فيه وادفنه فيه مستويًا رأسه الى اعلى الحفرة ثم ضع على رأسه حجرًا ثم تحثو التراب عليه
53And at the time of this undertaking you fumigate with a fumigation made of kiyya [word uncertain], frankincense and Indian aloeswood, of each one mithqāl, in a censer in which there is a fire of embers; you throw the fumigation on the fire, and say as you fumigate: al-Ghaydūs Milṭāyās Hūlīs Mīnūrās,
وفى حين هذه المحاولة تدخّن بدخنة مصنوعة من كية وكندر وعود هندى من كل واحد مثقالاً فى مجمرة فيها نار جمر وتطرح على النار الدخنة وتقول عند تدخينها الغيدوس ملطاياس هوليس مينوراس
kiyya: the reading of this ingredient is unclear; it may stand for a resin such as storax (may'a). The fumigation is burned by the operator.
54"I have stirred up the heart of So-and-so the king toward So-and-so [fem.], and inclined him toward her with love, favour, kindness and loftiness of rank, and I have moved the spiritual power (rūḥāniyya) of his heart toward her a moving that does not rest, by the power of these spiritual spirits and [by] Badʿalyās Arḥāwthās Manhūrīs Baṭīdiyās." When you have done that, depart, certain of [its] taking effect in what you have done; for that king will be stirred with love for that woman until he is not able to bear being without her, and she will prevail over his affairs and will be ruling over him.
هيّجت قلب فلان الملك الى فلانة واستملته اليها بالحبّ والحظوة والاحسان وعلوّ المنزلة وحرّكت روحانية قلبه اليها تحريكًا لا يسكن بقوة هذه الارواح الروحانية وبدعلياس ارحاوثاس منهوريس بطيدياس واذا فعلت ذلك فانصرف متيقّنا بالنفاذ فيما عملت وذلك ان ذلك الملك يهتاج بالحبّ لتلك المرأة حتى لا يقدر على الصبر عنها وتغلب على امره وتكون حاكمة عليه ،
The names are words of invocation, transliterated as printed. Historical belief: the operation concluded here aims to act on another person's will without their consent.
55Description of a marvel-working (nīranj) called Baghiyūs; it is for separation and enmity between men and women
صفة نيرنج يسمى بغيوس وهو للفرقة والعداوة فيما بين الرجال والنساء
56Its operation is that you take wax that has not been used for anything, as much as you will make two hollow figures from, in the names of those whose separation you desire, and you say: "This is the figure of So-and-so, and this is the figure of So-and-so (fem.)." Then you take the figure of the man and place it on your palm, and you take the weight of one dāniq of the gall of a black cat, the weight of two dāniqs of the gall of a pig, the weight of one dāniq of the fat of a black dog, and the weight of two mithqāls of the blood of a black cat, and you put all of that in a musʿaṭ; and place it on a gentle fire until it melts and mixes. Then pour it into its mouth until it reaches its hollow inside.
وعمله ان تأخذ شمعًا لم يستعمل فى شىء بقدر ما تصنع منه تمثالين اجوفين باسماء من تريد فراقهم وتقول هذا تمثال فلان وهذا تمثال فلانة ثم تأخذ تمثال الرجل وتضعه على كفّك وتأخذ وزن دانق مرارة سنّور اسود ووزن دانقين مرارة خنزير ووزن دانق شحم كلب اسود ووزن مثقالين دم سنّور اسود وتجعل ذلك باجمعه فى مسعط وضعه على نار ليّنة حتى يذوب ويختلط فحينئذ صبّه فى فيه حتى يصير الى جوفه
Historical belief: an operation to sow enmity between two people without their consent. The mixtures are poured into wax figures, not given to anyone. Musʿaṭ: a small vessel with a spout, properly an instrument for administering snuff; here used to melt and pour.
57Then take the weight of half a mithqāl of the fat of a black dog and the weight of half a mithqāl of the gall of a black dog; you pound them together until they mix; then pour it into the hole of its collarbone. Then take a thin iron nail and drive it through its chest while you say: "O Hūdīs ʿAmyālūs Ḥalwānīs Bayhawārās." Then set it apart, to one side by itself, until you have finished with the other.
ثم خذ وزن نصف مثقال شحم كلب اسود ووزن نصف مثقال مرارة كلب اسود تدقّهما جميعًا حتى يختلطا ثم صبّه فى ثقب ترقوته ثم خذ مسمارًا حديدًا دقيقًا فانفذه فى صدره وانت تقول يا هوديس عميالوس حلوانيس بيهواراس ثم اعزله ناحيةً على حدته حتى تفرغ من الآخر
The hole of the collarbone: the hollow at the base of the throat of the figure. The names are words of invocation, transliterated as printed.
58Then take the other figure and place it on your palm, and take of kūz and opopanax (jāwshīr) half a mithqāl of each of them, and of ammoniacum (washq) and aloes (ṣabr) half a dāniq of each of them, and of the gall of a black cat the weight of half a dāniq, and of the gall of a pig the weight of two dāniqs, and of the fat of a black dog the weight of two dāniqs, and of the gall of a black dog the weight of one mithqāl. You gather all of that in a musʿaṭ on a gentle fire until it melts. When it has melted and blended, pierce in its mouth a hole into its hollow inside, as you did with the other, and pour it into it until it reaches its hollow inside.
ثم خذ التمثال الآخر وضعه على كفّك وخذ الكوز والجاوشير من كل واحد منهما نصف مثقال ومن الوشق والصبر من كل واحد منهما نصف دانق ومن مرارة سنّور اسود وزن نصف دانق ومن مرارة خنزير وزن دانقين ومن شحم كلب اسود وزن دانقين ومن مرارة كلب اسود وزن مثقال تجمع ذلك كله فى مسعط على نار ليّنة حتى يذوب فاذا ذاب وامتزج فاثقب فى فمه ثقبة الى جوفه كما فعلت بالآخر وصبّه فيه حتى يصير الى جوفه
Kūz: a drug name of uncertain identity (the word literally means 'jug'); left transliterated. Jāwshīr, washq and ṣabr are gum-resins and aloes used in fumigations.
59Then take the weight of one dāniq of kūz, the weight of two dāniqs of sagapenum (sakbīnaj), the weight of half a mithqāl of opopanax, and the weight of one mithqāl of the fat of a black dog, and pound the whole until it mixes, and melt it and pour it into the hole of its collarbone. Then take an iron nail and drive it through its chest while you say: "ʿAdnālīs Balyūrās Mandūrīs Baʿyūlīs."
ثم خذ وزن دانق كوزًا ووزن دانقين سكبينجًا ووزن نصف مثقال جاوشيرًا ووزن مثقال شحم كلب اسود ودقّ الجميع حتى يختلط وأذبه وصبّه فى ثقب ترقوته ثم خذ مسمارًا حديدًا وأنفذه فى صدره وانت تقول عدناليس بليوراس مندوريس بعيوليس
The names are words of invocation, transliterated as printed.
60Then place the two figures on your palm, and take a nail and put its end into the chest of the figure that is the man, and its other end toward the woman, and turn the head of each of them to a side. And take of kūz and opopanax two dāniqs of each of them, and of the gall of a black cat and the fat of a black dog half a mithqāl of each of them, and gather all of that by mixing and melting; then fumigate with it.
ثم ضع التمثالين على كفّك وخذ مسمارًا فضع طرفه فى صدر التمثال الذى هو الرجل وطرفه الآخر الى المرأة وأدر رأس كل واحد منهما الى جانب وخذ الكوز والجاوشير من كل واحد منهما دانقين ومن مرارة سنّور اسود وشحم كلب اسود من كل واحد منهما نصف مثقال واجمع ذلك جميعًا بالخلط والذوب ثم دخّن بها
The fumigation is burned by the operator.
61And say while you fumigate: "Mīmūrās Ḥandānūs Bahwālūs, I have cut off and separated between the spiritual power (rūḥāniyya) of So-and-so and So-and-so (fem.), and I have stirred up between them the spiritual power of enmity and hatred, and I have put distance between them like the distance of these two figures one from the other, and the turning away of each one of them from the other, by the power of these spiritual spirits, Diwās Suwātilīs Bābālūs." When you have done that, take it up and bury it under a tree that bears no fruit; for the two of them will hate one another, part and break off from one another, and enmity and hatred will be stirred up in the heart of each one of them against his companion.
وقل حين تدخّن ميموراس حندانوس بهوالوس قطعت وفرقت بين روحانية فلان وفلانة وهيّجت بينهما روحانية العداوة والبغضاء وباعدت بينهما كبعد هذين التمثالين احدهما من الآخر واعراض كل واحد منهما عن الآخر بقوة هذه الارواح الروحانية ديواس سواتليس بابالوس فاذا فعلت ذلك فارفعه وادفنه تحت شجرة غير مثمرة فانهما جميعًا يتباغضان ويفترقان ويتقاطعان وتهيج العداوة والبغضاء فى قلب كل واحد منهما على صاحبه،
Historical belief: an operation to act on other people (to sow enmity between two persons) without their consent. The invocation words Diwās Suwātilīs Bābālūs are transliterated as printed.
62Then, after his mention of these preceding marvel-workings (nīranjāt), he mentioned other marvel-workings which he claimed he had taken from those who had put them to the test, in the manner which he mentioned in his book as to how they are worked, letter for letter, according to how they used to make them. Among these are marvel-workings for enmities, by food, fumigation and perfume, after the pattern given before. We are spared repeating them because of the examples of them that have preceded, except the mixtures of their spiritual power (rūḥāniyya), which it is necessary to set down.
ثم ذكر بعد ذكره لهذه النيرنجات المتقدمة نيرنجات اخر زعم انه اخذها من ممتحنين لها على الصفة التى ذكرها فى كتابه من وجه كيفية عملها حرفًا حرفًا على ما كانوا يصنعونها فمن ذلك نيرنجات فى العداوات بطعام ودخنة وطيب على المثال المقدّم غنينا عن اعادتها لما تقدّم من امثلتها الا اخلاط روحانيتها فواجب اثباتها،
Withheld
Withheld: a food made from animal substances, meant to be eaten by someone to turn them against another person.
This is the food version of an enmity operation: a mixture of animal parts that someone else is fed so they'll come to hate another person. It's left out because it's something a person is made to eat without knowing.
64The marvel-working by fumigation: its mixtures are the brain of a black cat, a mithqāl; the bile of a pig, half a mithqāl, and a dāniq of its brain; a dāniq of the penis of a black dog; a dāniq of kūz [word uncertain]; and a dāniq of jāwshīr.
نيرنج الدخنة اخلاطه دماغ سنور اسود مثقال مرارة خنزير نصف مثقال ودانق من دماغه ودانق ذكر كلب اسود ودانق كوز ودانق جاوشير،
A fumigation burned by the operator in an operation for enmity: historical belief, an operation to act on other people without their consent. Jāwshīr is opopanax gum. Kūz is printed as such and its sense here is unclear.
Withheld
Withheld: a scented preparation, containing toxic substances, meant to be put on or smelled by another person.
This is the perfume version of the same operation. It's left out on two counts: it contains toxic minerals, and it's meant to reach someone else without their knowledge.
66So these are the mixtures of the spiritual power of these marvel-workings, the like of which they mentioned in the operation, as has gone before.
فهذه اخلاط روحانية هذه النيرنجات التى ذكروا مثلها فى العمل على ما تقدم،
67Then he mentioned the making of a marvel-working by an image for binding the desires of people: the pouring of this mixture through a hole onto the brain of an image of wax, with an iron nail in the interior of the figure, fixed in the place of desire. And the mixtures of its spiritual power: the brain of a pig, the brain of a black cat, and yabrūḥ seed, of each one dāniq.
ثم ذكر صنعة نيرنج بصورة لعقد شهوات الناس وصبّ هذا الخلط من ثقب على دماغ صورة من شمع ومسمار حديد فى جوف التمثال مغروزًا فى موضع الشهوة واخلاط روحانيته دماغ خنزير ودماغ سنور اسود وحبّ يبروح من كل واحد دانق،
Historical belief: an operation to act on another person's body (binding sexual desire) without their consent. Ṣūra is 'image' in the talismanic sense. Yabrūḥ is mandrake; here it goes into the wax image, not into any person.
68Then he mentioned the loosing of the effects of this binding marvel-working, saying: There is taken an ūqiyya of the brain of a ewe, an ūqiyya of the blood of a gazelle, half an ūqiyya of human blood, four awāq of water from seven flowing springs, a mithqāl of horse's urine, half a mithqāl of the canine teeth of a hare, and a mithqāl of yabrūḥ seed. The yabrūḥ and the canine teeth are pounded and the whole is mixed; then it is poured out at a meeting of four roads behind that man whose desire is bound, and nothing of it touches him. Then that place is fumigated with yabrūḥ, frankincense and al-kiyya [word uncertain], a mithqāl's weight of each; for the spiritual power of the first operation, its working on him is annulled.
ثم ذكر حلّ افعال هذا النيرنج العاقد بان قال يؤخذ اوقية دماغ نعجة واوقية دم ظبية ونصف اوقية دم انسان واربعة اواق من ماء من سبع اعين جارية ومثقال من بول فرس ونصف مثقال من انياب ارنب ومثقال من حبّ اليبروح يسحق اليبروح والانياب ويخلط الكل ثم يهرق فى مفرق اربعة طرق خلف ذلك الرجل المعقود شهوته ولا يمسّه شىء منها ثم يدخّن فى ذلك الموضع باليبروح والكندر والكية زنة مثقال من كل واحد فان روحانية العمل الاول يبطل عملها فيه،
A historical operation; nothing is given to the man and the mixture does not touch him. Awāq is the plural of ūqiyya. Kundur is frankincense. Al-kiyya is printed as such; the substance is not identified.
Withheld
Then he mentioned another loosing, by food. [Withheld: a recipe for a drink of animal substances given to a 'bound' man as a supposed cure, possibly without his knowledge.
This passage gives another 'loosing' remedy, this time a drink made from a mix of animal substances that is given to the man thought to be bound. The text doesn't make it clear that he knows what he's drinking, so it reads as something slipped to a person rather than taken by choice. Because of that, we've left the recipe out under the project's harm policy, and you're only getting this summary of what it was.
70So this is what the sage Kīnās mentioned of the secrets of the marvel-workings and the manner of their making.
فهذا ما ذكره الحكيم «كيناس» من اسرار النيرنجات وكيفية صنعتها.
Kīnās is transliterated as printed, in quotation marks.